Saturday, March 11, 2017

I, Daniel Blake Review (2016)


4.5/5

*****Spoilers*****

This film is everything I hoped it would be and more. It is a simple, and sadly a common story, but it is beautiful. It is a character story. It doesn't pull punches, it doesn't gloss over or glamorise or exploit characters for political points. It is a story about simple human kindness and love in the face of a system that dehumanises the everyday person. 

I was worried that the story would turn into a love story between Katie and Daniel, but the film has much more complexity and integrity. It doesn't deal with any one issue although the central theme surrounds the benefits system for unemployment. It doesn't judge the characters. Daniel doesn't condemn Katie for becoming an escort, he just wants to help her not in a patriarchal way but just that it breaks his heart to see what she has to do to support her kids. He doesn't judge her or take some moral high ground, instead he is a beaten down man, beaten down by the system. 

The film touches on themes of mental illness, when Daniel talks about his wife who passed away. He doesn't go on about it or say she killed herself. He just uses this beautiful metaphor that they used to talk about about the ocean. In a lesser film this would have been made explicit for tear jerking effects. This restraint is heartbreaking and very realistic. 

What I love about this film is that all the characters have needs, but no one is explicitly using each other. Daniel fixes things around the house for Katie and she goes without dinner in thanks because she needs some dignity. In turn Daniel has no agenda other than to see Katie and her kids happy and doing ok. Maybe he needs to continue the role of "carer" or maybe it's nice to feel needed when he can't work because of his heart. 

Ultimately this film is a story about how the system doesn't only neglect the most vulnerable it beats them and wears them down. 

I was afraid the film would end with Daniel winning his case and tying everything up neatly. I feel the ending is apt and unfortunately true in many cases if not so literally. People are dying, becoming hopeless, starving and prostituting themselves because of the system.

However this film still makes me hopeful that we can have a voice. 

The Girl with the Dragon Tattoo Comparison Analysis




***SPOILERS***

***Trigger warning***

I've recently re-watched both these film versions. Surprisingly I like both of them for different reasons, both have flaws, but both are strong adaptations of the books. Both films make plot changes but I'm less interested in those than the subtle differences in portrayal of characters in these two versions. I feel that the Swedish version (part one of the three part miniseries) is more gritty and true to the books and characters. I would like to explore how the "Hollywoodification" affects this story in particular the representation of sex and sexuality for women in film. Indicating a wider trend in Western film adaptation. 

Both films show graphic scenes of Lisbeth's rape although arguably in my opinion the Swedish version is more gruesome in some ways while the US version is graphic in other ways. For instance in the US version we seen Rooney Mara in the shower after the rape blood dripping down her legs from the anal rape. This is just one example. I would argue there is equal amount of nudity in both films, with perhaps the exception being that Rooney Mara is fully naked from side on in one scene and doesn't appear to be a body double (although they can do a lot digitally). This is surprising because in US cinema showing the vagina is most taboo. 

In terms of sexuality and character Lisbeth is fascinating and somewhat unique in film. From the books she is petite and almost adolescent and boyish in her appearance. The book talks a lot about her concern for her small breasts which she wants to enlarge. Something I have a problem with character wise. I feel that women should be able to control their bodies however they choose, but what is wrong with small breasts? The book describes some sort of "disorder" where they were under-developed, but I feel it is unfair to label women's bodies this way. 

Lisbeth is functionally bisexual in the story (across all versions), although it is therefore most disappointing when she is reverted to heteronormativity in the US version pining over Mikael. Ok, so maybe that's arguable, but in the US version they have sex more times than in the Swedish version. Having a more prolonged relationship in whatever form, which is by rights from the book. But the Swedish version delves more into Lisbeth's psychology Noomi Rapace beautifully depicts Lisbeth's power and her vulnerability (something that disgusts me that has become a male fantasy trope the strong woman still in need of saving). Also her almost ambivalence or nonchalance about sex, as pure need or desire. We see Rapace mount Mikael (Michael Nyqvist) in the middle of the night and bring herself to orgasm despite Mikael saying it's probably a good idea. When Lisbeth has climaxed she gets up and leaves and says "goodnight" which is both funny and telling as a small insight into her affection for him. I love this depiction because it plays the male role that we oft see in cinema, the man takes a woman and climaxes and end of scene, no show of pleasure from the woman and certainly no climax, (thanks MPAA!). This scene plays out in the US version but with distinct differences Rooney Mara tells Mikael (Craig) to stop talking when he says it's not a good idea. And it's much more slow movements both by actors and the camera work. This is just how stylised sex scenes are depicted in most Hollywood films. Whereas the Swedish film is less slick and even uses a long wide shot to show the sex scene climax. However a later sex scene in the US version plays out very similar where Blomkist (Craig) is talking while Lisbeth tells him to be quiet while she climaxes on top of him. He seems to have no interest in sex at that time. Also in the first sex scene in the US version Lisbeth starts on top a position of dominance but by the end of the scene Craig has pulled her into the missionary position thereby pacifying her and dominating her (regardless of tenderness). 

In the books Lisbeth is very flexible and accepting of "unconventional" sexuality. She has a history of female sex partners and relationships. She also doesn't have a problem with Blomkist's "affair" or relationship with his work colleague. Something that is depicted as an affair in the US version. Lisbeth just says "It ended his marriage, but not hers". Granted a film doesn't have the time to delve into the intricacies of everything. 

Ok, lets talk about fetishising violence against women. Both films depict graphic scenes of rape of Lisbeth. Both focus almost exclusively on Lisbeth's pain and distress. Arguably one could say why did we need to see this graphic content at all, isn't it feeding into the problem? Or is it? It's important to talk about these issues because it happens to women all the time. I believe it would have been less effective to have neglected to show these scenes. Interestingly the US version shows intermittent shots of the closed door, which in my mind represents the whole attitude of what happens behind closed doors isn't anyone else's business. Or more simply it reflects her lack of means of escape and no one can hear her. Or maybe it's our reluctance to view this that is represented by blocking it out through a closed door. 

Both films depict Lisbeth's scheme to retaliate and defend herself from her "guardian" rapist. The Swedish version shows a more calculated and "cold" approach. But also she sits outside the room smoking while he is forced to watch the tape of the rape. To me this indicates her inability to re-watch it and be in the same room as him. Something the US version changes and she sits smoking in the room with him while she shows the tape. The US version also shows a more prolonged "torture" of her rapist in terms of her showing up in the elevator and telling him to stop looking up tattoo removal etc. This I believe is accurate to the book. But what is the purpose of writing/ depicting this type of revenge? I'm not saying women should forgive or be "above" retaliation I'm merely pointing out that this seems like literary wish fulfillment for Lisbeth's character . Truthfully she has little choice, the police are unlikely to believe her and she would end up in a mental hospital as he threatened to her. 




Monday, October 24, 2016

Black Mirror Season 3 Episode 1 (2016) Analysis



Black Mirror Season 3 Episode 1 "Nosedive" (2016)

***SPOILERS***

This controversial ethical scifi thriller series returns with an episode that hits pretty close to home. Unlike some of the previous episodes which were more futuristic this episode makes a comment on our need for social validation through an extension of social media. This world thrives on social gratification through a visible rating system for every interaction big or small. 

On another note the series is now set in America which is even more a comment on the culture. While this episode plays on futuristic social status through social media ratings I feel that it is merely a amplification of an already existing system of class. Showing us a world where we lived constantly for the social validation is terrifying yet not unfamiliar. Ultimately this episode is about learning to buck the system and live authentically. 

Friday, October 21, 2016

The Way We Were (1973) analysis


The Way We Were (1973)
3.5/5

This film is a classic. A beautiful love story. Great performances by Streisand and Redford. I suppose you could call this a "romcom", but it's more substantial than that. 

***SPOILERS***

I can't decide if this movie is feminist or not. I go back an forth. It seems that Katie (Streisand) is the all empowered woman at the start of the film. Although she gets ridiculed a lot. She also doesn't have her writing acknowledged in class. And then she tears it up and cries when it isn't read out. 

Another reason she gets disempowered by a man (ie. Hubble) is that at the start of the film she says she doesn't drink (ie alcohol) and it doesn't take much for Hubble to convince her "just a sip". For the rest of the film she is constantly seen drinking. 

One pro for Katie is that the sex scene with her and Hubble is a) quite long and b) shows her face and experience of it predominantly. This is unusual considering the film was made in 1973 and also depicts an era of conservatism. She even seems to be the one to seduce him. Although it's not great that she whispers at the end "You know it's Katie don't you?". It's not great that a strong independent woman needs to seduce a womaniser jock that is so drunk and passed out he doesn't even know who he's having sex with. Then the next day Hubble seems really awkward and ashamed while Katie is smitten with him. 

Ultimately when Hubble and Katie get together Katie becomes deferential to him. Despite her inappropriate volatile outbursts at his friend's parties Katie says she stops going to communist meetings. The film makes Katie look like an irrational embarrassment. 

Not only that, but when they break up Katie calls him to come over, practically begging him. She prostrates herself before him and says she will change practically everything about her that makes her strong an independent. 

However after they move to Hollywood Katie redeems herself and stands up for her beliefs in the protest going against Hubble's wishes. So eventually Katie stays true to herself and they break up, but she asks him to stay until the baby is born. In the end she is married to someone else and still standing up for her beliefs. So I go back and forth, I think in the end the film portrays a woman sacrificing her love of a man (who makes her compromise herself) to maintain her beliefs. 






Sunday, July 24, 2016

Ghostbusters (2016) Review


Ghostbusters (2016)
4/5

This film is a surprising success. It's got all the cheesy humour of the originals and it's a legitimate new story to tell. The all girl team surpasses the notion of any gimmick it may have been. The stellar acting team is great. They all have unique strong characters, they're not just paper cut outs of the original film. Although there was definitely something of a homage to each character, the geek, the womaniser, the comedian and the one with attitude. Of course there is the token black character which was a little disappointing that she was the one with "attitude". Although she was smart and had knowledge about the city so she was a bit better than the original. I don't know why they had the stupid gorgeous "secretary". I suppose it's a comment on all the "hot" female secretaries there always are in movies. The story had some innovations in supernatural technology which was fun to see and there was no "crossing the streams" reference which was good. There were many cameos from the original ghost busters team which was a delight to watch. They all felt suitable and fit in nicely. The film was a good comedy and doesn't take itself too seriously. Overall a pleasant surprise reboot/ remake that's fun in it's own right.

Tuesday, April 12, 2016

"Mother's Mercy" Game of thrones Season 5 finale review

Mother's Mercy Poster

"Mother's Mercy"
Season 5.10
***Warning Spoilers***

The show opens with Melisandre in the snow in Stannis' camp. So much is packed into this last episode and many loose ends from the season are tied up. And many deaths of course. The storyline I was most looking forward to was Cersei and her walk of shame something I'd anticipated from reading the books and it didn't disappoint. I can't believe that it was a body double and CGI of Lena Heady's face. I also really enjoyed seeing the Sansa storyline wrap up. It was a major deviation from the book that instead of the Arya dopple ganger it was Sansa who was married off to Ramsey. Despite deviation I respect the way they kept Sansa in the show and her strength was great. It was good to finally see her develop and flourish ironically to have it all taken away by Ramsey. It made for nice Tv watching to see her light the candle just as Brienne leaves. I really liked how Theon had also progressed this season and the epic reveal that he is in fact Theon not Reek. It was great to see him kill off the kennel master's daughter. Even though I'd read the books it was still nice to see and epic to watch Theon and Sansa jump off the parapet. I know they can't be killed off for next season but they should totally have died from that fall or at least show up next season with broken legs although I doubt that will happen. I'm really looking forward to seeing what happens with Sansa next season. Seeing as we left off with her storyline in the books somewhere near the Eyrie. 

It was good to see Sam finally leave for Old town to become a Maester. And I was not that sad to see Jon Snow die although I was a bit shocked because we are uncertain of his fate in the books so that kind of spoiled it a bit. What's going to happen to Ghost now at the Wall? Melinsandre and Davos are also still at the Wall escaping Stannis' army being massacred. Some think Jon Snow is not dead which I think is ridiculous, but if he is alive I think that Melisandre will bring him back with her sorcery. Speaking of deaths, I'm not sure why they killed of Mercyla it made the whole Jamie storyline seem more redundant. I thought his storyline this season was the weakest. It was a weak ploy to get Jamie out of Kings Landing for the season. And I was particularly disappointed with the Sandsnakes this season. They were really great in the books and in the show they seemed like stupid children despite being clearly sexualised. I was surprised with her murder at the end, and I wonder if they will follow up in Dorne next season. I'm also interested in how Jamie will factor into the next season back in Kings Landing. Maybe he will go back to Dorne for revenge? Or will he be back in Kings Landing for Cersei's trial? 

I really didn't like how Jon Snow was developed this season as he just seemed immature and his war at hardhome was so unrealistic (ok so I can suspend disbelief, but it was a bit much!). It was so good in the book to see him develop as Lord Commander. He became cold and calculating, and instead in the show he seemed juvenile and reckless. Although it was a nice moment Sam and Jon shared before Sam leaves for Old Town. Despite the fact that it would never have happened in the book as in the book Jon is the one who decides to send Sam away. Ok, ok I know they have to change things, but I found Jon's storyline disappointing. 

Also, what's going to happen with Bran next season? Will we see more of the children of the forest? I'm looking forward to finding out! So much to find out next season! 

Transparent (Tv show) Review Pilot Episode


Transparent
Pilot Episode
Available on Stan

***Spoilers***

This is an interesting show. Although I get the feeling like it's trying to be more controversial than it actually is. The premise of this show surrounds a father struggling to tell his grown kids that he's transgender. Following edgy family dramas like Six Feet Under this show is quite unrealistic. It features a father who is transgender and one daughter having a lesbian affair. This show is definitely queer positive if somewhat generic. Despite the gratuitous nudity and melodrama, the performances are good and the premise is intriguing. Ending on a cliff hanger it definitely is worth watching more to find out more.